Offer potential collectors a
way to purchase your art at a lower cost than your
originals!
Gicl�e reproductions at smaller sizes than your originals are a relatively
inexpensive way for you
to do this. Print �on demand� (after taking pre-orders) or print just one or two
images to test how
well they will sell. The gicl�e process produces excellent quality prints that
are expected to last
up to 150 years.
The largest size
paper I can print is 13" x 19" (with a 1/4" border all around ). I use only archival papers (Epson watercolor,
Somerset
Velvet enhanced, Epson enhanced matte smooth, etc.) and pigment-based archival
inks for your
prints. These inks have been tested for light fastness and have a life expectancy
of 80-100 years
on the archival papers I use. If you decide to issue a limited edition (50 or
fewer prints of your
image) you will get a certificate of authenticity with each print to give to
your buyer along with
their print.
Creating a Gicl�e�What you need to provide:
Click here for the process
Basically, you provide me with an image - either original art, a digital image
of the art, or a slide,
transparency or glossy print of the art. A digital image is created, and sent to
the gicl�e inkjet
printer for printing.
What the Prints Cost:
Click here for print sizes & prices
The first print is priced at 15� per square inch. Additional prints of the same
image are 10� per
square inch. To figure your cost, multiply the dimensions (height x width) of
your desired image
size, and then multiply that result by .15 to get your cost for the first
print. If you are making a
reproduction a different size than your original, you first have to figure the
reduction or enlargement
size so that the proportions will be maintained without cropping or distortion.
For example, if your
original is 21x29 inches, you could make an 8x11 inch reproduction without
cropping any of your
image.
SHOULD YOU MAKE GICL�E REPRODUCTIONS OF YOUR ART?
Artists considering gicl�e reproductions should ask themselves what they are
going to do with
the prints and why. Generally speaking, if you are selling nearly every original
you can produce
and cannot keep up with the demand for your work, you are the perfect candidate
for print
reproductions. Or, if your annual production is low because of the time it takes
you to
complete an original, you may want reproductions in order to generate a better
payback for your
time. Style is also a consideration. If your work appeals to a huge number of
people, rather than a
smaller niche market, you have a better chance of selling both your originals
and your prints.
Other reasons for offering print reproductions are:
� to give potential collectors a way to own a smaller version of your original
art at a cost within
their budget.
� to use commercially, particularly if your work is essentially decorative in
nature (hotels and
other businesses often need large numbers of the same images for interior design
purposes).
� to use for donation purposes to non-profits or other charitable fundraisers in
lieu of your
original art. Currently, for tax purposes, the IRS only allows the artist to
deduct the cost of
materials (paint, paper, framing) when making a donation of artwork.
What Kinds of Art Reproduce Well?
Some types of work lend themselves to the gicl�e process better than others.
Watercolors, flat
acrylics, pastels, monoprints, lithographs, and drawings in ink, graphite or
colored pencil all
reproduce extremely well and can be nearly indistinguishable from the originals.
Heavy threedimensional
collages or impasto acrylic or oil paintings are less suitable for reproduction
because
inks cannot replicate the dimensionality of the mediums. However, some artists
will make gicl�e
reproductions of their oil or acrylic paintings on canvas, and then add clear
impasto gel medium
or oil or acylic brushstrokes by hand over the print to give it a more
�authentic� look and feel.
How many gicl�es should you print?
Traditionally, entering the print reproduction market was costly for the artist,
as he or she had to
invest up front in printing costs for a large quantity of prints (usually 100 or
more before it was
cost effective). If the prints didn�t sell, the artist was stuck with an
inventory of unsold work.
Gicl�e printing is �on demand� which means you can print just the number of
prints you want
when you want them. If you have a website or other marketing venue, you can
pre-sell a print,
then have it printed. You have no inventory of unsold work, and the relatively
small cost for
gicl�es allows you to �test market� any image to see how well it sells before
printing in quantity.
Original art may be preferred over any reproduction by some buyers, but gicl�es
have their place,
and make sense for many artists.
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